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A teacher of the violin and other stories

by J.H. Shorthouse


A teacher of the violin. (extract)

Part 1.

AUTOBIOGRAPHICAL.

When, in the year 1787, I entered, at the age of nineteen, the university of the kingly city of Wenigstaat, I was, no doubt, a very foolish young man, but I am perfectly certain that I was not a fool. I suffered not only from that necessary disease which from the very nature of existence it is impossible for a young man to escape, the regarding of life from his own standpoint, as a man on first coming into a brilliantly lighted and crowded room must of necessity, for a few moments, be conscious of the varied scene only as it strikes himself; but I was also to some extent subject to that fatuity which haunts some young men, the forming of opinions and the giving audible expression to them. Notwithstanding all this, I was at the same time conscious of such a crowd of ideas, actuated by such ideas, and stirred to the depths of my being by the emotions and results which these ideas wrought upon me, that looking back with the impartiality which the lapse of thirty years gives even to the review of one's self, I feel perfectly confident that I was not a fool. I shall, I fear, have to describe at some length how I came to be what I was, but I will be as short as I can. My history would be worth nothing in itself, but it is interwoven closely with that of some others whose personality seems to me well worthy of record.

I was the eldest son of the pastor of the little village of Waldreich in the wooded mountains of Bavaria. Though my father had a large family, and his cure was only a village one, he was not so poor as most of his order, for he had a little private income derived from houses in Bayreuth: my mother had also some little money of her own. My father was a man of a singular patience and quietude of conduct. He divided his time between cultivating his little garden and orchard, and preparing his sermons with elaborate care. When, in after years, I became possessed of many of these beautifully written discourses, I was amazed at the patience, care, and scholarship expended upon these addresses to a few peasants, most of whom fell asleep during the time of hearing. I believe that my father's sole relaxation and indulgence consisted in poring over an old folio Terence which he possessed, and which, shielded amidst the mysteries of a dead language, he could read in perfect security, without fear of scandalising his flock. Indeed it is possible that they regarded it as a work of deep theology, and perhaps they were right.

The little village of Waldreich lies immediately at the foot of the wooded hills. We ascended from the garden and croft of the pastor's house straight into the fir-woods and the oak-dingles that led up into the mysterious and wild heights above--into the mists and cloud-shadows--into a land of green mountain-woods rising against blue skies--a land of mist and rain-showers, of the tints of rainbows spanning the village, and of coloured prisms of light stealing down crag and forest-dingle--a land of rushing streams and still, solemn, dark lakes--a land of castles upon distant peaks and of the faint smoke of charcoal-burners on the hillsides. Through all the varied changes of the day in this romantic land, from the cheerful dawn, loud with the song of birds and the lowing of cattle, to the solemn evening stillness, I passed the first few years of my life. The scenes around him penetrated into the boy's being and formed his nature. However, I have no wish to become wearisome in describing all these influences and these results minutely. There is one influence, however, which must be dwelt upon if the story is to be told at all, for it was the leading influence of my life-- the influence of sound. From a very little child I was profoundly impressed by the sounds of nature: the rushing water, the rustling oaks, the sighing and moaning wind down the mountain-valleys spoke to me with distinct utterance, and with a sense of meaning and even of speech. These sounds were more even than this: they became a passion, a fascination, a haunting presence, even a dread.

I can give one instance of this. Below the village and parsonage house, where we lived, was a beautiful meadow on the banks of the swift winding river. This meadow was my greatest delight as a little child. At the lower end was a mill, and a mill-pool and race; and around the edges of the pool beds of flags had planted themselves for ages, forming a thick phalanx of waving pointed leaves. Nothing could exceed the fascination this sight had for me, not only when the yellow flowers mingled with the green stately leaves, but at other times of the year when I listened hour after hour to the whispering murmur through the innumerable lances of the reeds. But to reach this meadow it was necessary to pass a row of vast, lofty, straggling trees (I suppose some species of poplar), and no words can describe the terror which the same wind, which delighted me so much in the gentle murmur of its reed-music, inspired me with when heard through these lofty swaying branches. I often, even in those early days, wondered why the music of the wind through the green rushes on the water's edge should have thrilled me with cheerfulness and joy, while the same wind wailing through the branches of the great trees high above my head crushed me with an unspeakable horror and dread. Doubtless in this latter was the sense of vastness and unapproachable height, infinite as it seemed to a little child--the touch, even, of the infinite must ever, it would seem, be appalling to man.

It was in this way and by these experimental methods that I began so early to recognise the mysterious connection that exists between sound and human feeling.


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